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1"Rough Trade: Sexual Taxonomy in Postwar America." In: Re Presenting Bisexualities: Subjects and Cultures of Fluid Desire / edited by Donald E. Queer studies in communication have profoundly neglected the salient forms of sexual and affective relatedness that find expression in the terms of intimacy that are ever-present in "friendship." Flirting against the conservative sexual culture, but flirting among ourselves, popular images of queers in Asia have taken a number of specific forms.

pp: 171-82."Queer as Desis: secret politics of gender and sexuality in Bollywood Films in diasporic urban ethnoscapes." In: Bollywood: sociology goes to the movies / Rajinder Kumar Dudrah. "Laura Mulvey meets Catherine Tramell meets the She-man: counter-history, reclamation, and incongruity in lesbian, gay, and queer film and media criticism." In: A companion to film theory / edited by Toby Miller and Robert Stam. An overview of the history of gay and lesbian cinema, from Kenneth Anger's pioneering Fireworks (1947) to Ang Lee's Brokeback mountain (2005). "Shortcomings: Questions about Pornography as Pedagogy." In: Queer Looks: Perspectives on Lesbian and Gay Film and Video / editors Martha Gever, Pratibha Parmar, John Greyson. /Sue O'Sullivan --'Cop it sweet': lesbian crime fiction /Gillian Whitlock --Making a drama out of a difference: Portrait of a Marriage /Jenny Harding --Gorgeous lesbian in LA Law: the present absence? Morohoshi." In: Q & A: queer in Asian America / edited by David L. " Gay pornography is interesting because of its self-reflexivity, which draws attention to sex as performance.

"Of Hags and Crones: Reclaiming Lesbian Desire for the Trouble Zone of Aging." In: Between the Sheets, in the Streets: Queer, Lesbian, Gay Documentary / Chris Holmlund and Cynthia Fuchs, editors. It is this very insistence of gay pornography on highlighting reality, rather than focussing on fantasy, that makes it effective." [Expanded Academic Index] "The promotion of queer studies in Asian countries is discussed.

"Martin Dines explores the relationship between the physical and metaphorical spaces of suburbia and the evolution of modern gay identities across a range of British and American film and fiction, looking at the work of Dennis Cooper, Quentin Crisp, Todd Haynes, Christopher Isherwood, Kevin Killian, David Leavitt, Oscar Moore and Edmund White"--Provided by publisher. London: Pandora, 1994."Shakespeare, Branagh, and the "queer traitor": close encounters in the Shakespearean classroom." In: The reel Shakespeare: alternative cinema and theory / edited by Lisa S. The viewer is never allowed to forget the presence of the camera.

Watching particular films with this "queer diasporic viewing practive," sex/gender play which is normative (yet still coded) in the land of the films' production can be reclaimed as queer through the differently subjective lens of transnational spectatorship, a lens removed from patriarchy, sexism, and homophobia.

This particularly becomes apparent in the Bollywood dance sequence--the frequent site of Hindi sex/gender play--whose coded queer desires are much easier to de-code (or re-code)when in the diaspora." [Article copies available for a fee from The Haworth Document Delivery Service: 1-800-342-9678.

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